{"id":601,"date":"2022-03-26T23:37:32","date_gmt":"2022-03-26T23:37:32","guid":{"rendered":"http:\/\/congresoscnaa.org\/congreso\/?page_id=601"},"modified":"2022-03-26T23:38:33","modified_gmt":"2022-03-26T23:38:33","slug":"3-el-arte-rupestre-mas-alla-del-arte","status":"publish","type":"page","link":"http:\/\/congresoscnaa.org\/congreso\/3-el-arte-rupestre-mas-alla-del-arte\/","title":{"rendered":"3- El Arte Rupestre M\u00e1s All\u00e1 Del Arte"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"601\" class=\"elementor elementor-601\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-15aafd6d elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"15aafd6d\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-5630cc74\" data-id=\"5630cc74\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-fa630de animated-slow elementor-invisible elementor-widget elementor-widget-heading\" data-id=\"fa630de\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeInDown&quot;}\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">SIMPOSIO<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-1dbf3114 elementor-widget elementor-widget-text-editor\" data-id=\"1dbf3114\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>El Arte Rupestre M\u00e1s All\u00e1 Del Arte: <br \/>Enredos De Humanos, No-Humanos Y Materiales A La Sombra De Las Paredes Pintadas<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-1507688c elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"1507688c\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-7da0e332\" data-id=\"7da0e332\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-3c56ba0f\" data-id=\"3c56ba0f\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-440d1aa5 elementor-widget elementor-widget-text-editor\" data-id=\"440d1aa5\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Resumen: Si bien, en las \u00faltimas d\u00e9cadas, los nuevos abordajes materiales del arte rupestre desplazaron el foco de atenci\u00f3n situado, hasta entonces, en la investigaci\u00f3n de los aspectos ideales o ideol\u00f3gicos expresados por las figuras, a\u00fan persiste una importante tendencia a estudiar a estos sitios arqueol\u00f3gicos como fen\u00f3menos puramente visuales en donde se representa a una realidad que los excede. <br \/>En paralelo, aquellas perspectivas centradas en el estudio material del arte rupestre, especialmente englobadas en la arqueometria, suelen restringir su campo de indagaci\u00f3n a los compuestos que, se espera, constituyen las pinturas, principalmente pigmentos y aglutinantes, dejando de lado a otros materiales y procesos asociados a las figuras, como desechos de holl\u00edn, dep\u00f3sitos de yeso, guano animal, deterioros, etc., que frecuentemente interact\u00faan con las mezclas pigmentarias sobre los soportes p\u00e9treos. <br \/>De tal forma, ya sea producto del \u00e9nfasis en la investigaci\u00f3n de las ideolog\u00edas y significados ocultos en las figuras, como tambi\u00e9n a partir de la centralidad del an\u00e1lisis material de las pinturas, los estudios de los sitios con arte rupestre suelen restringirse a los motivos pintados o grabados. <br \/>Sin embargo, como se desprende de algunos trabajos etnogr\u00e1ficos y arqueol\u00f3gicos, otros materiales y agentes no-humanos participan y, probablemente, participaron en la construcci\u00f3n y transformaci\u00f3n hist\u00f3rica de estos espacios, aunque han quedado eclipsados en la mayor\u00eda de los estudios arqueol\u00f3gicos. Humos, luces, fuegos, sonidos, pero tambi\u00e9n personajes no-humanos y energ\u00edas, entre otros materiales y seres, fueron co-part\u00edcipes de la conformaci\u00f3n de los abrigos con arte rupestre, impulsando e inhibiendo particulares relaciones y experiencias con las personas a partir de las cuales emergieron una diversidad de pr\u00e1cticas sociales en el tiempo.<br \/>En este simposio intentaremos rescatar el rol de esos otros materiales y agentes m\u00e1s all\u00e1 de las pinturas y grabados rupestres, con la intenci\u00f3n de tensionar y discutir algunos de los siguientes t\u00f3picos: &#8211; El rol de los materiales m\u00e1s-all\u00e1-de-las-pinturas en la conformaci\u00f3n y uso de estos espacios. &#8211; La necesidad de explorar otras sensorialidades que exceden o completan la experiencia visual del arte rupestre. &#8211; La relevancia de repensar la categor\u00eda de deterioro para designar a muchos de estos materiales y las consecuencias de tal perspectiva en los trabajos de conservaci\u00f3n. <br \/>&#8211; La necesidad de indagar en nuevos abordajes metodol\u00f3gicos y t\u00e9cnicos para explorar estos aspectos.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-6d00f998\" data-id=\"6d00f998\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>SIMPOSIO El Arte Rupestre M\u00e1s All\u00e1 Del Arte: Enredos De Humanos, No-Humanos Y Materiales A La Sombra De Las Paredes Pintadas Resumen: Si bien, en las \u00faltimas d\u00e9cadas, los nuevos abordajes materiales del arte rupestre desplazaron el foco de atenci\u00f3n situado, hasta entonces, en la investigaci\u00f3n de los aspectos ideales o ideol\u00f3gicos expresados por las [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-601","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/congresoscnaa.org\/congreso\/wp-json\/wp\/v2\/pages\/601","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/congresoscnaa.org\/congreso\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/congresoscnaa.org\/congreso\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/congresoscnaa.org\/congreso\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/congresoscnaa.org\/congreso\/wp-json\/wp\/v2\/comments?post=601"}],"version-history":[{"count":4,"href":"http:\/\/congresoscnaa.org\/congreso\/wp-json\/wp\/v2\/pages\/601\/revisions"}],"predecessor-version":[{"id":605,"href":"http:\/\/congresoscnaa.org\/congreso\/wp-json\/wp\/v2\/pages\/601\/revisions\/605"}],"wp:attachment":[{"href":"http:\/\/congresoscnaa.org\/congreso\/wp-json\/wp\/v2\/media?parent=601"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}